{"id":1002920,"date":"2025-02-07T14:56:02","date_gmt":"2025-02-07T14:56:02","guid":{"rendered":"https:\/\/www.icnova.fcsh.unl.pt\/?p=1002920"},"modified":"2025-02-26T13:44:38","modified_gmt":"2025-02-26T13:44:38","slug":"open-call-international-conference-cadences-attentional-moves-in-the-arts-and-everyday-life","status":"publish","type":"post","link":"https:\/\/www.icnova.fcsh.unl.pt\/en\/open-call-international-conference-cadences-attentional-moves-in-the-arts-and-everyday-life\/","title":{"rendered":"Extended Deadline &#8211; International Conference \u00abCadences: Attentional Moves in the Arts and Everyday Life\u00bb."},"content":{"rendered":"<div class=\"vgblk-rw-wrapper limit-wrapper\">\n<p><strong>28, 29 and 30 May 2025<\/strong> &#8211; <strong>Universidade Nova de Lisboa, ICNOVA-FCSH-UNL, Lisbon.<\/strong><\/p>\n\n\n\n<p>This conference is hosted by the Communication Institute of Universidade Nova, FCSH.<\/p>\n\n\n\n<p>It will have a double-blind peer review and publication of selected papers for RCL [<em>Revista de Comunica\u00e7\u00e3o e Linguagens<\/em>].<\/p>\n\n\n\n<p>The arts and artistic practices create specific modes and mediations that involve variations in attention. They perform a \u201ctuning [of] the attention\u201d if we are to use Lisa Nelson\u2019s formulation in <em>Tuning Scores<\/em> (2003), which generates cadences, movements and intensities between different types of focus of fluctuating, and varyingly disinterested or distracted attention. Attention is always in movement, and according to Paul Ricoeur, it is always more or less at the service of a desire, an intention, a task, a need or a volition.<\/p>\n\n\n\n<p>The study of variations in attention in the arts, notably performance and cinema, is also linked to how we see the world and choose what we want to show. Sensitivity is refined to give visibility to something confused with the landscape, highlighting it or co-composing with it.&nbsp; When we choose a cutout, a framework for what we are going to share, we create a surplus\u2014everything we choose not to show\u2014and a margin\u2014which is within the cutout of what is shown but is not reinforced as \u201cthe most relevant.\u201d&nbsp;<\/p>\n\n\n\n<p>These choices also reveal some common ground between art and politics\u2014the choice between what is considered relevant to be seen and made visible and what is left out of the attention with resulting implications. What we do not see (or hear, or smell) of the figure\/background, such as context and focus, movement, drag, or blur, is very broad and requires a great deal of \u201cattention training\u201d to play, describe, and live in the arts, sciences, and ordinary everyday life.<\/p>\n\n\n\n<p>On the other hand, the word \u201ccadence\u201d has a procedural and dynamic dimension that relates not only to modulations and rhythms but also to falls. \u201c<em>Cadere,<\/em>\u201d the word behind \u201ccadence,\u201d contains the idea of falling.&nbsp; Falling in or out of a specific type of attention, a curiosity, a passion, or floating in attention through falls, as happens in surfing or Contact Improvisation, perfectly describes the way we live in constant \u201cimprovisation.\u201d<\/p>\n\n\n\n<p>For the conference <em>Cadences: Attentional Moves in the Arts and Everyday Life<\/em>, we invite talks with and about modes and \u201cechologies\u201d of attention\u2014thinking of the \u201cecho\u201d of sound resonance\u2014and the ecology of relationships as an intricate web of inter-affections. We invite reflections on framings, postures, positions and positionalities. We invite reflections on affection and care, craftsmanship and hospitality.&nbsp;<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>What words, tools, movements, and cadences do we use to practice attention?<\/li>\n\n\n\n<li>What subjectivities and communities are generated from certain practices of attention? What is left out of focus?<\/li>\n\n\n\n<li>When we say \u201cfocus,\u201d do we put ourselves in the place of a lens that focuses, as in the case of photography and cinema?<\/li>\n<\/ul>\n\n\n\n<p>We accept proposals on attentional moves linked to the arts and everyday life. We invite scholars, researchers, artists, and curators to submit proposals for a 20-minute in-person presentation in English, or Portuguese.<\/p>\n\n\n\n<p>Suggested topics (may include but are not limited to)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>-Technogenetic attention.<\/li>\n\n\n\n<li>-Tuning of attention.<\/li>\n\n\n\n<li>-Movements of attention.<\/li>\n\n\n\n<li>-Attention mediation.<\/li>\n\n\n\n<li>-Attention capture and attention deficit.<\/li>\n\n\n\n<li>-Arts.&nbsp;<\/li>\n\n\n\n<li>&#8211; Crafts, handicrafts and workshops.<\/li>\n\n\n\n<li>&#8211; Performance studies.&nbsp;<\/li>\n\n\n\n<li>&#8211; Performance and cognition.<\/li>\n\n\n\n<li>&#8211; Dramaturgies of attention.<\/li>\n\n\n\n<li>&#8211; Attention, affection and care.<\/li>\n\n\n\n<li>&#8211; Transindividual attention and community.<\/li>\n\n\n\n<li>&#8211; Performativity of attention.<\/li>\n\n\n\n<li>&#8211; Queer studies.<\/li>\n\n\n\n<li>&#8211; Gender and Feminist studies.<\/li>\n\n\n\n<li>&#8211; Black studies and Race studies.<\/li>\n\n\n\n<li>&#8211; Disability studies.<\/li>\n<\/ul>\n\n\n\n<p><strong>Keynote speakers: <\/strong><\/p>\n\n\n\n<p>Yves Citton (Universit\u00e9 Paris 8 Vincennes-Saint Denis),&nbsp;<\/p>\n\n\n\n<p>Bojana Cvejic (Oslo National Academy of Arts),<\/p>\n\n\n\n<p>Jonathan Burrows (Centre for Dance Research Coventry University),&nbsp;<\/p>\n\n\n\n<p>Carla&nbsp;Fernandes&nbsp;(ICNOVA, Faculdade de Ci\u00eancias Sociais e Humanas, Universidade Nova de Lisboa).<\/p>\n\n\n\n<p><strong>Fees:<\/strong><\/p>\n\n\n\n<p>Researchers \/ Speakers: \u20ac120<\/p>\n\n\n\n<p>Students: \u20ac 60<\/p>\n\n\n\n<p><strong>Submission guidelines<\/strong><br><br>The proposals should include:<\/p>\n\n\n\n<p><strong>Title<\/strong> of the proposal; <strong>Author&#8217;s&nbsp;identification<\/strong> (name, institutional affiliation, country and e-mail); <strong>Conference topics<\/strong> and <strong>3&nbsp;to 5&nbsp;keywords<\/strong>. <strong>Extended abstract<\/strong> (300 &#8211;&nbsp;500&nbsp;words), <strong>1 or 2 images<\/strong> (optional), <strong>References (3 to 5)<\/strong>, Short <strong>bio<\/strong>&nbsp;(150 words max).<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><br><strong>Proposals must be sent<\/strong> in PDF format <strong>by e-mail<\/strong> to<strong>:&nbsp; <\/strong><a href=\"mailto:cadencesattentionalmoves@gmail.com\"><strong>cadencesattentionalmoves@gmail.com<\/strong><\/a><\/p>\n\n\n\n<p>Conference website: <a href=\"http:\/\/cadencesattentionalmoves.fcsh.unl.pt\">http:\/\/cadencesattentionalmoves.fcsh.unl.pt<\/a><strong><br><\/strong>Texts and presentations must be delivered in English or Portuguese.<br><br><strong>Selection process<\/strong><br><br>Proposals can be submitted <strong>until 31st january 2025 (extended deadline)<\/strong><\/p>\n\n\n\n<p><strong>Proposals are&nbsp;assessed by double-blind peer review.<\/strong><\/p>\n\n\n\n<p>The note of acceptance will be sent by 24 <strong>February<\/strong><strong> <\/strong>2025.<\/p>\n\n\n\n<p>Deadline for registration: 24 March.<\/p>\n\n\n\n<p>A selection of conference papers will be included in <strong>RCL [<\/strong><strong><em>Revista de Comunica\u00e7\u00e3o e Linguagens<\/em><\/strong><strong>]<\/strong>, to be published in 2026 by the Institute of Communication of Nova, School of Social Sciences and Humanities, Universidade NOVA de Lisboa.<\/p>\n\n\n\n<p><strong>Further<\/strong> instructions for <strong>publication<\/strong> of the complete papers will be sent directly to the selected authors.<\/p>\n\n\n\n<p>&#8212;&#8211; PT<br><br><strong>Confer\u00eancia Internacional \u00abCad\u00eancias: Movimentos da Aten\u00e7\u00e3o nas Artes e Quotidiano\u00bb.<\/strong><\/p>\n\n\n\n<p><strong>Dias 28, 29 e 30 de Maio de 2025 &#8211; Universidade Nova de Lisboa, ICNOVA-FCSH-UNL, Lisboa.<\/strong><\/p>\n\n\n\n<p>Esta confer\u00eancia \u00e9 acolhida pela Instituto de Comunica\u00e7\u00e3o da Universidade Nova, FCSH.<\/p>\n\n\n\n<p>Ter\u00e1 dupla revis\u00e3o cega por pares e publica\u00e7\u00e3o de artigos seleccionados para a RCL [<em>Revista de Comunica\u00e7\u00e3o e Linguagens<\/em>]<\/p>\n\n\n\n<p>As artes e as pr\u00e1ticas art\u00edsticas criam modos e media\u00e7\u00f5es espec\u00edficos que comportam varia\u00e7\u00f5es da aten\u00e7\u00e3o. S\u00e3o \u201cafina\u00e7\u00f5es da aten\u00e7\u00e3o\u201d, se quisermos usar a formula\u00e7\u00e3o de Lisa Nelson em <a href=\"https:\/\/performanceecognicao.fcsh.unl.pt\/2021\/11\/07\/diante-dos-teus-olhos-sementes-de-uma-pratica-de-danca\/\"><em>Tuning Scores<\/em> (2003)<\/a>, que geram cad\u00eancias, movimentos e intensidades entre diferentes tipos de foco, mais ou menos flutuantes, de aten\u00e7\u00e3o mais ou menos desinteressada, ou distra\u00edda. A aten\u00e7\u00e3o est\u00e1 sempre em movimento e, segundo Paul Ricouer, est\u00e1 sempre, mais ou menos, ao servi\u00e7o de um desejo, de uma inten\u00e7\u00e3o, de uma tarefa, de uma necessidade, de uma voli\u00e7\u00e3o.<\/p>\n\n\n\n<p>O estudo das varia\u00e7\u00f5es da aten\u00e7\u00e3o nas artes, incluindo performance, e cinema, est\u00e1 tamb\u00e9m ligado ao modo como vemos o mundo e escolhemos o que queremos mostrar. A sensibilidade afina-se para poder dar visibilidade a algo que se confundia com a paisagem, destacando-o, ou co-compondo com tal.&nbsp;<\/p>\n\n\n\n<p>Quando escolhemos um recorte, um enquadramento para aquilo que vamos partilhar, criamos um excedente &#8211; tudo aquilo que escolhemos n\u00e3o mostrar -, e uma margem &#8211; que est\u00e1 dentro do recorte do que \u00e9 mostrado, mas n\u00e3o \u00e9 refor\u00e7ado como \u201co mais relevante\u201d.&nbsp;<\/p>\n\n\n\n<p>\u00c9 nestas escolhas que podemos observar, tamb\u00e9m, alguns modos comuns entre arte e pol\u00edtica &#8211; a escolha entre aquilo que se considera relevante ver e dar a ver, e aquilo que \u00e9 deixado de fora da aten\u00e7\u00e3o com suas consequentes implica\u00e7\u00f5es.<\/p>\n\n\n\n<p>Aquilo que n\u00e3o vemos (ou ouvimos, ou cheiramos) da figura\/fundo, contexto e foco, movimento, arrastamento ou borr\u00e3o \u00e9 muito amplo e demanda uma grande \u201cmuscula\u00e7\u00e3o da aten\u00e7\u00e3o\u201d para que seja poss\u00edvel jogar, descrever, viver, nas artes, nas ci\u00eancias, e nos quotidianos comuns.<\/p>\n\n\n\n<p>A palavra \u201ccad\u00eancias\u201d por seu lado comporta uma dimens\u00e3o processual e din\u00e2mica que n\u00e3o se relaciona apenas como modula\u00e7\u00f5es e ritmos, mas tamb\u00e9m com quedas. \u201cCadere\u201d, palavra que est\u00e1 na origem de \u201ccad\u00eancia\u201d, cont\u00e9m a ideia de queda.&nbsp;<\/p>\n\n\n\n<p>Cair dentro ou fora de um determinado tipo da aten\u00e7\u00e3o, de uma curiosidade, de uma paix\u00e3o; ou flutuar na aten\u00e7\u00e3o por meio de quedas, como acontece no <em>surf<\/em>, ou no <em>Contact Improvisation<\/em>, descreve bem o modo como vivemos em constante \u201cimprovisa\u00e7\u00e3o\u201d.&nbsp;<\/p>\n\n\n\n<p>Para a confer\u00eancia, <strong>Cad\u00eancias: Movimentos da Aten\u00e7\u00e3o nas Artes e Quotidiano,&nbsp;<\/strong>convidamos a apresenta\u00e7\u00e3o de discursos com e sobre modos e ecologias da aten\u00e7\u00e3o \u2014 pensando no \u201ceco\u201d da resson\u00e2ncia sonora \u2014, e na ecologia das rela\u00e7\u00f5es como teia intrincada de inter-afecta\u00e7\u00f5es. Convidamos reflex\u00f5es sobre enquadramentos, posturas, posi\u00e7\u00f5es e posicionalidades. Convidamos reflex\u00f5es sobre afectos e cuidados, artesanias e hospitalidades.<\/p>\n\n\n\n<p>Que palavras, que ferramentas, que movimentos, que cad\u00eancias usamos para praticar a aten\u00e7\u00e3o?<\/p>\n\n\n\n<p>Que subjectividades e que comunidades se geram a partir de determinadas pr\u00e1ticas de aten\u00e7\u00e3o? <\/p>\n\n\n\n<p>O que \u00e9 deixado fora do foco?<\/p>\n\n\n\n<p>Quando dizemos \u201cfoco\u201d, colocamo-nos no lugar de uma lente que foca? Como no caso da fotografia e do cinema, em termos literais.&nbsp;<\/p>\n\n\n\n<p>Aceitamos propostas sobre movimentos da aten\u00e7\u00e3o ligados \u00e0s artes e \u00e0 vida quotidiana. Convidamos acad\u00e9micos, investigadores, artistas e curadores a submeter propostas para uma apresenta\u00e7\u00e3o presencial de 20 minutos em ingl\u00eas ou portugu\u00eas.<\/p>\n\n\n\n<p>Os temas sugeridos (podem incluir, mas n\u00e3o est\u00e3o limitados a)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>-Aten\u00e7\u00e3o tecnogen\u00e9tica.<\/li>\n\n\n\n<li>-Afina\u00e7\u00e3o da aten\u00e7\u00e3o.<\/li>\n\n\n\n<li>-Movimentos da aten\u00e7\u00e3o.<\/li>\n\n\n\n<li>-Media\u00e7\u00e3o da aten\u00e7\u00e3o.<\/li>\n\n\n\n<li>-Roubo da aten\u00e7\u00e3o e d\u00e9fice de aten\u00e7\u00e3o.<\/li>\n\n\n\n<li>-Artes.&nbsp;<\/li>\n\n\n\n<li>&#8211; Artesanatos, artesanias e oficinas.<\/li>\n\n\n\n<li>&#8211; Estudos de performance.<\/li>\n\n\n\n<li>&#8211; Performance e cogni\u00e7\u00e3o.<\/li>\n\n\n\n<li>&#8211; Dramaturgias da aten\u00e7\u00e3o.<\/li>\n\n\n\n<li>&#8211; Aten\u00e7\u00e3o, afecto e cuidado.<\/li>\n\n\n\n<li>&#8211; Aten\u00e7\u00e3o transindividual e comunidade.<\/li>\n\n\n\n<li>&#8211; Performatividade da aten\u00e7\u00e3o.<\/li>\n\n\n\n<li>&#8211; Estudos queer.<\/li>\n\n\n\n<li>&#8211; Estudos de g\u00e9nero e feministas.<\/li>\n\n\n\n<li>&#8211; Estudos negros e estudos raciais.<\/li>\n\n\n\n<li>&#8211; Estudos sobre a defici\u00eancia.<\/li>\n<\/ul>\n\n\n\n<p><strong>Oradores convidados:<\/strong><\/p>\n\n\n\n<p>Yves Citton (Universit\u00e9 Paris 8 Vincennes-Saint Denis),&nbsp;<\/p>\n\n\n\n<p>Bojana Cvejic (Oslo National Academy of Arts),<\/p>\n\n\n\n<p>Jonathan Burrows (Centre for Dance Research Coventry University),&nbsp;<\/p>\n\n\n\n<p>Carla&nbsp;Fernandes&nbsp;(ICNOVA, Faculdade de Ci\u00eancias Sociais e Humanas, Universidade Nova de Lisboa).<\/p>\n\n\n\n<p><strong>Pre\u00e7o<\/strong><\/p>\n\n\n\n<p>Investigadores\/oradores: \u20ac120<\/p>\n\n\n\n<p>Estudantes: \u20ac 60<\/p>\n\n\n\n<p><strong>Directrizes para a apresenta\u00e7\u00e3o de propostas<\/strong><\/p>\n\n\n\n<p>As propostas devem incluir:<\/p>\n\n\n\n<p>T\u00edtulo da proposta; Identifica\u00e7\u00e3o do autor (nome, filia\u00e7\u00e3o institucional, pa\u00eds e correio eletr\u00f3nico); Temas da confer\u00eancia e 3 a 5 palavras-chave. Resumo alargado (300 &#8211; 500 palavras), 1 ou 2 imagens (opcional), Refer\u00eancias (3 a 5), Breve biografia (150 palavras no m\u00e1ximo).<\/p>\n\n\n\n<p>E devem ser enviadas em formato PDF por correio eletr\u00f3nico para:&nbsp; <a href=\"mailto:cadencesattentionalmoves@gmail.com\">cadencesattentionalmoves@gmail.com<\/a><\/p>\n\n\n\n<p>S\u00edtio online: <a href=\"http:\/\/cadencesattentionalmoves.fcsh.unl.pt\">http:\/\/cadencesattentionalmoves.fcsh.unl.pt<strong><br><\/strong><\/a>Os textos e as apresenta\u00e7\u00f5es devem ser entregues em ingl\u00eas ou portugu\u00eas.<br><br><strong>Processo de selec\u00e7\u00e3o<\/strong><\/p>\n\n\n\n<p>As propostas podem ser apresentadas at\u00e9 31 de janeiro de 2025<\/p>\n\n\n\n<p>As propostas s\u00e3o avaliadas por pares atrav\u00e9s de dupla revis\u00e3o cega<\/p>\n\n\n\n<p>A nota de aceita\u00e7\u00e3o ser\u00e1 enviada at\u00e9 24 de fevereiro de 2025.<\/p>\n\n\n\n<p>Data-limite de inscri\u00e7\u00e3o: 24 de mar\u00e7o.<\/p>\n\n\n\n<p>Uma sele\u00e7\u00e3o das comunica\u00e7\u00f5es da confer\u00eancia ser\u00e1 inclu\u00edda na RCL [Revista de Comunica\u00e7\u00e3o e Linguagens], a publicar em 2026 pelo Instituto de Comunica\u00e7\u00e3o da Nova, Faculdade de Ci\u00eancias Sociais e Humanas da Universidade NOVA de Lisboa.<\/p>\n\n\n\n<p>As instru\u00e7\u00f5es para a publica\u00e7\u00e3o dos artigos completos ser\u00e3o enviadas diretamente aos autores selecionados.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/www.icnova.fcsh.unl.pt\/wp-content\/uploads\/2025\/01\/Cadence-new-deadline-call-1024x1024.png\" alt=\"\" class=\"wp-image-1003577\" srcset=\"https:\/\/www.icnova.fcsh.unl.pt\/wp-content\/uploads\/2025\/01\/Cadence-new-deadline-call-1024x1024.png 1024w, https:\/\/www.icnova.fcsh.unl.pt\/wp-content\/uploads\/2025\/01\/Cadence-new-deadline-call-300x300.png 300w, https:\/\/www.icnova.fcsh.unl.pt\/wp-content\/uploads\/2025\/01\/Cadence-new-deadline-call-150x150.png 150w, https:\/\/www.icnova.fcsh.unl.pt\/wp-content\/uploads\/2025\/01\/Cadence-new-deadline-call-768x768.png 768w, https:\/\/www.icnova.fcsh.unl.pt\/wp-content\/uploads\/2025\/01\/Cadence-new-deadline-call.png 1440w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><\/p>\n<\/div><!-- .vgblk-rw-wrapper -->","protected":false},"excerpt":{"rendered":"<p>28, 29 and 30 May 2025 &#8211; Universidade Nova de Lisboa, ICNOVA-FCSH-UNL, Lisbon. This conference is hosted by the Communication Institute of Universidade Nova, FCSH. It will have a double-blind peer review and publication of selected papers for RCL [Revista de Comunica\u00e7\u00e3o e Linguagens]. The arts and artistic practices create specific modes and mediations that&#8230;<\/p>\n","protected":false},"author":12,"featured_media":1003577,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[42,43,40,1],"tags":[189],"class_list":["post-1002920","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-calls-icnova","category-eventos","category-news","category-sem-categoria","tag-performance-e-cognicao"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Extended Deadline - International Conference \u00abCadences: Attentional Moves in the Arts and Everyday Life\u00bb. - ICNOVA<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.icnova.fcsh.unl.pt\/open-call-international-conference-cadences-attentional-moves-in-the-arts-and-everyday-life\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Extended Deadline - International Conference \u00abCadences: Attentional Moves in the Arts and Everyday Life\u00bb. - ICNOVA\" \/>\n<meta property=\"og:description\" content=\"28, 29 and 30 May 2025 &#8211; Universidade Nova de Lisboa, ICNOVA-FCSH-UNL, Lisbon. This conference is hosted by the Communication Institute of Universidade Nova, FCSH. It will have a double-blind peer review and publication of selected papers for RCL [Revista de Comunica\u00e7\u00e3o e Linguagens]. The arts and artistic practices create specific modes and mediations that...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.icnova.fcsh.unl.pt\/open-call-international-conference-cadences-attentional-moves-in-the-arts-and-everyday-life\/\" \/>\n<meta property=\"og:site_name\" content=\"ICNOVA\" \/>\n<meta property=\"article:published_time\" content=\"2025-02-07T14:56:02+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-02-26T13:44:38+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.icnova.fcsh.unl.pt\/wp-content\/uploads\/2025\/01\/Cadence-new-deadline-call.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1440\" \/>\n\t<meta property=\"og:image:height\" content=\"1440\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"B\u00e1rbara B. Novaes\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"B\u00e1rbara B. Novaes\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"10 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.icnova.fcsh.unl.pt\/open-call-international-conference-cadences-attentional-moves-in-the-arts-and-everyday-life\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.icnova.fcsh.unl.pt\/open-call-international-conference-cadences-attentional-moves-in-the-arts-and-everyday-life\/\"},\"author\":{\"name\":\"B\u00e1rbara B. Novaes\",\"@id\":\"https:\/\/icnova.staging.widgilabs-sites.com\/#\/schema\/person\/448361a3369e91f99e516588a123c7ee\"},\"headline\":\"Extended Deadline &#8211; International Conference \u00abCadences: Attentional Moves in the Arts and Everyday Life\u00bb.\",\"datePublished\":\"2025-02-07T14:56:02+00:00\",\"dateModified\":\"2025-02-26T13:44:38+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.icnova.fcsh.unl.pt\/open-call-international-conference-cadences-attentional-moves-in-the-arts-and-everyday-life\/\"},\"wordCount\":1759,\"publisher\":{\"@id\":\"https:\/\/icnova.staging.widgilabs-sites.com\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.icnova.fcsh.unl.pt\/open-call-international-conference-cadences-attentional-moves-in-the-arts-and-everyday-life\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.icnova.fcsh.unl.pt\/wp-content\/uploads\/2025\/01\/Cadence-new-deadline-call.png\",\"keywords\":[\"Performance e Cogni\u00e7\u00e3o\"],\"articleSection\":[\"Calls ICNOVA\",\"Eventos\",\"Not\u00edcias\",\"Sem categoria\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.icnova.fcsh.unl.pt\/open-call-international-conference-cadences-attentional-moves-in-the-arts-and-everyday-life\/\",\"url\":\"https:\/\/www.icnova.fcsh.unl.pt\/open-call-international-conference-cadences-attentional-moves-in-the-arts-and-everyday-life\/\",\"name\":\"Extended Deadline - International Conference \u00abCadences: Attentional Moves in the Arts and Everyday Life\u00bb. - ICNOVA\",\"isPartOf\":{\"@id\":\"https:\/\/icnova.staging.widgilabs-sites.com\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.icnova.fcsh.unl.pt\/open-call-international-conference-cadences-attentional-moves-in-the-arts-and-everyday-life\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.icnova.fcsh.unl.pt\/open-call-international-conference-cadences-attentional-moves-in-the-arts-and-everyday-life\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.icnova.fcsh.unl.pt\/wp-content\/uploads\/2025\/01\/Cadence-new-deadline-call.png\",\"datePublished\":\"2025-02-07T14:56:02+00:00\",\"dateModified\":\"2025-02-26T13:44:38+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/www.icnova.fcsh.unl.pt\/open-call-international-conference-cadences-attentional-moves-in-the-arts-and-everyday-life\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.icnova.fcsh.unl.pt\/open-call-international-conference-cadences-attentional-moves-in-the-arts-and-everyday-life\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.icnova.fcsh.unl.pt\/open-call-international-conference-cadences-attentional-moves-in-the-arts-and-everyday-life\/#primaryimage\",\"url\":\"https:\/\/www.icnova.fcsh.unl.pt\/wp-content\/uploads\/2025\/01\/Cadence-new-deadline-call.png\",\"contentUrl\":\"https:\/\/www.icnova.fcsh.unl.pt\/wp-content\/uploads\/2025\/01\/Cadence-new-deadline-call.png\",\"width\":1440,\"height\":1440},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.icnova.fcsh.unl.pt\/open-call-international-conference-cadences-attentional-moves-in-the-arts-and-everyday-life\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.icnova.fcsh.unl.pt\/en\/home\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Extended Deadline &#8211; International Conference \u00abCadences: Attentional Moves in the Arts and Everyday Life\u00bb.\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/icnova.staging.widgilabs-sites.com\/#website\",\"url\":\"https:\/\/icnova.staging.widgilabs-sites.com\/\",\"name\":\"ICNOVA\",\"description\":\"INSTITUTO DE COMUNICA\u00c7\u00c3O DA NOVA\",\"publisher\":{\"@id\":\"https:\/\/icnova.staging.widgilabs-sites.com\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/icnova.staging.widgilabs-sites.com\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/icnova.staging.widgilabs-sites.com\/#organization\",\"name\":\"ICNOVA\",\"url\":\"https:\/\/icnova.staging.widgilabs-sites.com\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/icnova.staging.widgilabs-sites.com\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.icnova.fcsh.unl.pt\/wp-content\/uploads\/2020\/02\/logo2.png\",\"contentUrl\":\"https:\/\/www.icnova.fcsh.unl.pt\/wp-content\/uploads\/2020\/02\/logo2.png\",\"width\":730,\"height\":209,\"caption\":\"ICNOVA\"},\"image\":{\"@id\":\"https:\/\/icnova.staging.widgilabs-sites.com\/#\/schema\/logo\/image\/\"}},{\"@type\":\"Person\",\"@id\":\"https:\/\/icnova.staging.widgilabs-sites.com\/#\/schema\/person\/448361a3369e91f99e516588a123c7ee\",\"name\":\"B\u00e1rbara B. Novaes\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/icnova.staging.widgilabs-sites.com\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/980018600039737321d16d8a0fe94fbf?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/980018600039737321d16d8a0fe94fbf?s=96&d=mm&r=g\",\"caption\":\"B\u00e1rbara B. Novaes\"},\"url\":\"https:\/\/www.icnova.fcsh.unl.pt\/en\/author\/barbarabergg\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Extended Deadline - International Conference \u00abCadences: Attentional Moves in the Arts and Everyday Life\u00bb. - ICNOVA","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.icnova.fcsh.unl.pt\/open-call-international-conference-cadences-attentional-moves-in-the-arts-and-everyday-life\/","og_locale":"en_US","og_type":"article","og_title":"Extended Deadline - International Conference \u00abCadences: Attentional Moves in the Arts and Everyday Life\u00bb. - ICNOVA","og_description":"28, 29 and 30 May 2025 &#8211; Universidade Nova de Lisboa, ICNOVA-FCSH-UNL, Lisbon. This conference is hosted by the Communication Institute of Universidade Nova, FCSH. It will have a double-blind peer review and publication of selected papers for RCL [Revista de Comunica\u00e7\u00e3o e Linguagens]. The arts and artistic practices create specific modes and mediations that...","og_url":"https:\/\/www.icnova.fcsh.unl.pt\/open-call-international-conference-cadences-attentional-moves-in-the-arts-and-everyday-life\/","og_site_name":"ICNOVA","article_published_time":"2025-02-07T14:56:02+00:00","article_modified_time":"2025-02-26T13:44:38+00:00","og_image":[{"width":1440,"height":1440,"url":"https:\/\/www.icnova.fcsh.unl.pt\/wp-content\/uploads\/2025\/01\/Cadence-new-deadline-call.png","type":"image\/png"}],"author":"B\u00e1rbara B. Novaes","twitter_card":"summary_large_image","twitter_misc":{"Written by":"B\u00e1rbara B. Novaes","Est. reading time":"10 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.icnova.fcsh.unl.pt\/open-call-international-conference-cadences-attentional-moves-in-the-arts-and-everyday-life\/#article","isPartOf":{"@id":"https:\/\/www.icnova.fcsh.unl.pt\/open-call-international-conference-cadences-attentional-moves-in-the-arts-and-everyday-life\/"},"author":{"name":"B\u00e1rbara B. Novaes","@id":"https:\/\/icnova.staging.widgilabs-sites.com\/#\/schema\/person\/448361a3369e91f99e516588a123c7ee"},"headline":"Extended Deadline &#8211; International Conference \u00abCadences: Attentional Moves in the Arts and Everyday Life\u00bb.","datePublished":"2025-02-07T14:56:02+00:00","dateModified":"2025-02-26T13:44:38+00:00","mainEntityOfPage":{"@id":"https:\/\/www.icnova.fcsh.unl.pt\/open-call-international-conference-cadences-attentional-moves-in-the-arts-and-everyday-life\/"},"wordCount":1759,"publisher":{"@id":"https:\/\/icnova.staging.widgilabs-sites.com\/#organization"},"image":{"@id":"https:\/\/www.icnova.fcsh.unl.pt\/open-call-international-conference-cadences-attentional-moves-in-the-arts-and-everyday-life\/#primaryimage"},"thumbnailUrl":"https:\/\/www.icnova.fcsh.unl.pt\/wp-content\/uploads\/2025\/01\/Cadence-new-deadline-call.png","keywords":["Performance e Cogni\u00e7\u00e3o"],"articleSection":["Calls ICNOVA","Eventos","Not\u00edcias","Sem categoria"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.icnova.fcsh.unl.pt\/open-call-international-conference-cadences-attentional-moves-in-the-arts-and-everyday-life\/","url":"https:\/\/www.icnova.fcsh.unl.pt\/open-call-international-conference-cadences-attentional-moves-in-the-arts-and-everyday-life\/","name":"Extended Deadline - International Conference \u00abCadences: Attentional Moves in the Arts and Everyday Life\u00bb. - ICNOVA","isPartOf":{"@id":"https:\/\/icnova.staging.widgilabs-sites.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.icnova.fcsh.unl.pt\/open-call-international-conference-cadences-attentional-moves-in-the-arts-and-everyday-life\/#primaryimage"},"image":{"@id":"https:\/\/www.icnova.fcsh.unl.pt\/open-call-international-conference-cadences-attentional-moves-in-the-arts-and-everyday-life\/#primaryimage"},"thumbnailUrl":"https:\/\/www.icnova.fcsh.unl.pt\/wp-content\/uploads\/2025\/01\/Cadence-new-deadline-call.png","datePublished":"2025-02-07T14:56:02+00:00","dateModified":"2025-02-26T13:44:38+00:00","breadcrumb":{"@id":"https:\/\/www.icnova.fcsh.unl.pt\/open-call-international-conference-cadences-attentional-moves-in-the-arts-and-everyday-life\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.icnova.fcsh.unl.pt\/open-call-international-conference-cadences-attentional-moves-in-the-arts-and-everyday-life\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.icnova.fcsh.unl.pt\/open-call-international-conference-cadences-attentional-moves-in-the-arts-and-everyday-life\/#primaryimage","url":"https:\/\/www.icnova.fcsh.unl.pt\/wp-content\/uploads\/2025\/01\/Cadence-new-deadline-call.png","contentUrl":"https:\/\/www.icnova.fcsh.unl.pt\/wp-content\/uploads\/2025\/01\/Cadence-new-deadline-call.png","width":1440,"height":1440},{"@type":"BreadcrumbList","@id":"https:\/\/www.icnova.fcsh.unl.pt\/open-call-international-conference-cadences-attentional-moves-in-the-arts-and-everyday-life\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.icnova.fcsh.unl.pt\/en\/home\/"},{"@type":"ListItem","position":2,"name":"Extended Deadline &#8211; International Conference \u00abCadences: Attentional Moves in the Arts and Everyday Life\u00bb."}]},{"@type":"WebSite","@id":"https:\/\/icnova.staging.widgilabs-sites.com\/#website","url":"https:\/\/icnova.staging.widgilabs-sites.com\/","name":"ICNOVA","description":"INSTITUTO DE COMUNICA\u00c7\u00c3O DA NOVA","publisher":{"@id":"https:\/\/icnova.staging.widgilabs-sites.com\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/icnova.staging.widgilabs-sites.com\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/icnova.staging.widgilabs-sites.com\/#organization","name":"ICNOVA","url":"https:\/\/icnova.staging.widgilabs-sites.com\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/icnova.staging.widgilabs-sites.com\/#\/schema\/logo\/image\/","url":"https:\/\/www.icnova.fcsh.unl.pt\/wp-content\/uploads\/2020\/02\/logo2.png","contentUrl":"https:\/\/www.icnova.fcsh.unl.pt\/wp-content\/uploads\/2020\/02\/logo2.png","width":730,"height":209,"caption":"ICNOVA"},"image":{"@id":"https:\/\/icnova.staging.widgilabs-sites.com\/#\/schema\/logo\/image\/"}},{"@type":"Person","@id":"https:\/\/icnova.staging.widgilabs-sites.com\/#\/schema\/person\/448361a3369e91f99e516588a123c7ee","name":"B\u00e1rbara B. Novaes","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/icnova.staging.widgilabs-sites.com\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/980018600039737321d16d8a0fe94fbf?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/980018600039737321d16d8a0fe94fbf?s=96&d=mm&r=g","caption":"B\u00e1rbara B. Novaes"},"url":"https:\/\/www.icnova.fcsh.unl.pt\/en\/author\/barbarabergg\/"}]}},"_links":{"self":[{"href":"https:\/\/www.icnova.fcsh.unl.pt\/en\/wp-json\/wp\/v2\/posts\/1002920"}],"collection":[{"href":"https:\/\/www.icnova.fcsh.unl.pt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.icnova.fcsh.unl.pt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.icnova.fcsh.unl.pt\/en\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/www.icnova.fcsh.unl.pt\/en\/wp-json\/wp\/v2\/comments?post=1002920"}],"version-history":[{"count":14,"href":"https:\/\/www.icnova.fcsh.unl.pt\/en\/wp-json\/wp\/v2\/posts\/1002920\/revisions"}],"predecessor-version":[{"id":1003580,"href":"https:\/\/www.icnova.fcsh.unl.pt\/en\/wp-json\/wp\/v2\/posts\/1002920\/revisions\/1003580"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.icnova.fcsh.unl.pt\/en\/wp-json\/wp\/v2\/media\/1003577"}],"wp:attachment":[{"href":"https:\/\/www.icnova.fcsh.unl.pt\/en\/wp-json\/wp\/v2\/media?parent=1002920"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.icnova.fcsh.unl.pt\/en\/wp-json\/wp\/v2\/categories?post=1002920"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.icnova.fcsh.unl.pt\/en\/wp-json\/wp\/v2\/tags?post=1002920"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}