{"id":1006949,"date":"2026-07-09T14:03:19","date_gmt":"2026-07-09T14:03:19","guid":{"rendered":"https:\/\/www.icnova.fcsh.unl.pt\/?p=1006949"},"modified":"2026-07-13T14:24:45","modified_gmt":"2026-07-13T14:24:45","slug":"conferencia-internacional-dramaturgias-da-performance-agenda-de-workshops","status":"publish","type":"post","link":"https:\/\/www.icnova.fcsh.unl.pt\/en\/conferencia-internacional-dramaturgias-da-performance-agenda-de-workshops\/","title":{"rendered":"Confer\u00eancia Internacional Dramaturgias da Performance: Agenda de Workshops"},"content":{"rendered":"
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(English version below)<\/p>\n\n\n\n

No \u00e2mbito da Confer\u00eancia Internacional Dramaturgias da Performance<\/strong>, ser\u00e1 realizado um conjunto de workshops que ampliam as reflex\u00f5es propostas pelas mesas, comunica\u00e7\u00f5es e confer\u00eancias para um contexto de experimenta\u00e7\u00e3o pr\u00e1tica e partilha de processos.<\/p>\n\n\n\n

Estes workshops constituem espa\u00e7os de encontro entre artistas, investigadores, estudantes e p\u00fablico, onde diferentes modos de fazer, pensar e experienciar a performance s\u00e3o compartilhados atrav\u00e9s da pr\u00e1tica. Cada proposta convida os participantes a explorar metodologias, dramaturgias e processos criativos em di\u00e1logo com as tem\u00e1ticas da confer\u00eancia.<\/p>\n\n\n\n

Os workshops decorrer\u00e3o entre o Museu Nacional de Arte Contempor\u00e2nea \u2013 Museu do Chiado (MNAC)<\/strong> e o CAN \u2013 Col\u00e9gio Almada Negreiros<\/strong>, parceiros desta edi\u00e7\u00e3o da confer\u00eancia, proporcionando diferentes contextos de cria\u00e7\u00e3o, experimenta\u00e7\u00e3o e reflex\u00e3o.<\/p>\n\n\n\n

As inscri\u00e7\u00f5es s\u00e3o limitadas e decorrem mediante inscri\u00e7\u00e3o pr\u00e9via no site: https:\/\/dramaturgiesofperformance.fcsh.unl.pt<\/a><\/p>\n\n\n\n

Compondo com a gera\u00e7\u00e3o de movimentos por IA<\/strong><\/h2>\n\n\n\n

com Sarah Fdili Alaoui<\/strong>; e David dos Santos<\/strong> (Facilitador)<\/p>\n\n\n\n


Data: 2\/12\/2026, 13:30 – 16:30 (3 horas)
Este workshop centra-se na composi\u00e7\u00e3o de movimentos gerados por IA, explorando o modo como os bailarinos usam a intelig\u00eancia artificial enquanto ferramenta criativa de composi\u00e7\u00e3o para gerar e transformar material coreogr\u00e1fico.\u00a0\u00a0Os participantes ser\u00e3o divididos em grupos de tr\u00eas para garantir uma modera\u00e7\u00e3o eficiente e evitar problemas t\u00e9cnicos.\u00a0Os participantes ir\u00e3o explorar e compor sequ\u00eancias de movimentos geradas previamente utilizando um modelo treinado com um vasto conjunto de dados de movimentos de dan\u00e7a e de repert\u00f3rio. Os bailarinos poder\u00e3o dar instru\u00e7\u00f5es ao modelo e utilizar o KorAI para editar e visualizar os movimentos gerados, de modo a criar sequ\u00eancias de dan\u00e7a completas. Os bailarinos ser\u00e3o encorajados a incorporar as composi\u00e7\u00f5es que desenvolverem coletivamente dentro dos seus grupos.\u00a0<\/p>\n\n\n\n

Escrita como montagem \u2013 sampler, colagem e repost na era digital<\/strong><\/h2>\n\n\n\n

com Jana\u00edna Leite<\/strong><\/p>\n\n\n\n


Data: 2\/12\/2026, 13:30 – 16:30 (3 horas)<\/p>\n\n\n\n

A oficina parte da ideia de que a escrita j\u00e1 n\u00e3o se limita ao gesto individual e original, mas tamb\u00e9m se constr\u00f3i a partir de procedimentos de apropria\u00e7\u00e3o, montagem e recombina\u00e7\u00e3o. Amparada por uma pesquisa de quase duas d\u00e9cadas sobre o documento na arte contempor\u00e2nea, a diretora e pesquisadora Jana\u00edna Leite convida os participantes a pensar formas de cria\u00e7\u00e3o dramat\u00fargica que emergem do di\u00e1logo e da composi\u00e7\u00e3o entre diferentes arquivos textuais, visuais e sonoros.<\/p>\n\n\n\n

Uma cidade-arquivo comunit\u00e1ria<\/strong><\/h2>\n\n\n\n

com M\u00e1rcio Carvalho<\/strong><\/p>\n\n\n\n


Data: 2\/12\/2026, 17:00-20:00 (3 horas)
Este workshop tem a cidade de Lisboa como objeto de estudo. Pretende-se identificar patologias no cidad\u00e3o, influenciadas pelo legado patrimonial colonial da cidade e sua atual ressignifica\u00e7\u00e3o enquanto cidade-investimento. Com base na biografia pessoal dos participantes e suas rela\u00e7\u00f5es com a cidade, ser\u00e3o desenvolvidas metodologias performativas para a ocupa\u00e7\u00e3o do espa\u00e7o p\u00fablico e para a cria\u00e7\u00e3o de formas alternativas de transmiss\u00e3o memorial.<\/p>\n\n\n\n

Partituras: da performance \u00e0 dramaturgia social?<\/strong><\/h2>\n\n\n\n

com Bojana Cveji\u0107<\/strong><\/p>\n\n\n\n


Data: 3\/12\/2026, 17:00-20:00 (3 horas)
Este breve workshop ir\u00e1 explorar a partitura como uma ferramenta idiossincr\u00e1tica na dramaturgia que emerge do processo. H\u00e1 duas linhas de investiga\u00e7\u00e3o que se cruzam aqui. Em primeiro lugar, enquanto dispositivo gerador da performance, a partitura pode reconfigurar a autoria (atrav\u00e9s da forma aberta, da delega\u00e7\u00e3o, da participa\u00e7\u00e3o, da dissipa\u00e7\u00e3o) e explorar as fronteiras entre o car\u00e1cter processual e o car\u00e1cter especulativo de uma obra de arte. Em segundo lugar, ao migrar de quest\u00f5es sobre o modo como estrutura para aquilo que possibilita, a partitura produz um excesso social \u2013 uma esp\u00e9cie de coreografia social que pode ser deduzida quando se reimaginam as rela\u00e7\u00f5es vividas atrav\u00e9s de e para al\u00e9m da partitura. Neste sentido, a partitura alarga-se ao \u00e2mbito da organiza\u00e7\u00e3o pol\u00edtica e social, tanto como ferramenta anal\u00edtica como enquanto medium para a performance.<\/p>\n\n\n\n

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———————- English version ———————-<\/p>\n\n\n\n

<\/p>\n\n\n\n

As part of the International Conference on Dramaturgies of Performance, a series of workshops will be held to expand upon the reflections raised by the panel discussions, papers and lectures, within a context of practical experimentation and the sharing of creative processes.<\/p>\n\n\n\n

These workshops provide spaces for artists, researchers, students and the public to come together, where different ways of creating, thinking about and experiencing performance are shared through practice. Each workshop invites participants to explore methodologies, dramaturgies and creative processes in dialogue with the conference\u2019s themes.<\/p>\n\n\n\n

The workshops will take place at the National Museum of Contemporary Art \u2013 Chiado Museum (MNAC) and CAN \u2013 Col\u00e9gio Almada Negreiros, partners in this edition of the conference, offering different contexts for creation, experimentation and reflection.<\/p>\n\n\n\n

Places are limited and registration is required in advance via the website: https:\/\/dramaturgiesofperformance.fcsh.unl.pt<\/p>\n\n\n\n

T<\/em><\/p>\n\n\n\n

Composing with AI-based Movement Generation<\/strong><\/h2>\n\n\n\n

with Sarah Fdili Alaoui<\/strong>; and David dos Santos (Facilitator)<\/strong><\/p>\n\n\n\n

Date: 2\/12\/2026, 13:30 – 16:30 (3 hours)<\/p>\n\n\n\n

This workshop focuses on composing with AI-driven movement generation<\/strong>, exploring how dancers can use artificial intelligence as a creative compositional tool to generate and transform choreographic material. To ensure a smooth technical setup and efficient facilitation, participants will be divided into groups of 3. Each group should ideally have access to one computer and one USB key in case internet connectivity is unstable. To ensure a smooth technical setup and efficient facilitation, participants will be divided into groups of 3. Each group should ideally have access to one computer and one USB key in case internet connectivity is unstable. Participants will explore and compose with motion sequences generated in advance using a model trained on a large dataset of dance movements and repertoire. Dancers will be able to prompt the model and use KorAI to edit and visualise generated movements to create full dance sequences. Dancers will be encouraged to embody the compositions they develop collectively within their groups.<\/p>\n\n\n\n

Writing as Montage: Sampling, Collage, and Reposting in the Digital Age<\/strong><\/h2>\n\n\n\n

with Jana\u00edna Leite<\/strong><\/p>\n\n\n\n

Date: 2\/12\/2026, 13:30 – 16:30 (3 hours)<\/p>\n\n\n\n

The workshop is based on the idea that writing is no longer confined to the individual and original act, but is also constructed through processes of appropriation, assembly and recombination. Drawing on nearly two decades of research into the document in contemporary art, director and researcher Jana\u00edna Leite invites participants to consider forms of dramaturgical creation that emerge from the dialogue and composition between different textual, visual and audio archives.<\/p>\n\n\n\n

A community city-archive<\/strong><\/h2>\n\n\n\n

with M\u00e1rcio Carvalho<\/strong><\/p>\n\n\n\n

Date: <\/strong>2\/12\/2026, 17:00-20:00 (3 hours)<\/p>\n\n\n\n

This workshop takes the city of Lisbon as its subject of study. The aim is to identify social ills amongst the city\u2019s inhabitants, shaped by its colonial heritage and its current reinterpretation as an \u2018investment city\u2019. Drawing on the participants\u2019 personal biographies and their relationships with the city, performative methodologies will be created and developed to occupy public space and create alternative forms of memory transmission.<\/p>\n\n\n\n

Scores: from performance to social dramaturgy?<\/strong><\/h2>\n\n\n\n

with Bojana Cveji\u0107<\/strong>
Data: 3\/12\/2026, 17:00-20:00 (3 hours)<\/p>\n\n\n\n

This brief workshop will explore score as an idiosyncratic tool in process dramaturgy. Two lines of inquiry intersect here. First, as a generative device in performance, the score may
reconfigure authorship (through open form, delegation, participation, dissipation) and explore the boundaries between the procedural and speculative character of an artwork. Second,
moving from questions of how it structures to what it enables, the score produces a social excess \u2013 a kind of social choreography that can be inferred by reimagining lived relations
through and beyond the score. In this sense, the score extends itself as both an analytical tool and a medium of performance toward political and social organising.<\/p>\n\n\n\n

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(English version below) No \u00e2mbito da Confer\u00eancia Internacional Dramaturgias da Performance, ser\u00e1 realizado um conjunto de workshops que ampliam as reflex\u00f5es propostas pelas mesas, comunica\u00e7\u00f5es e confer\u00eancias para um contexto de experimenta\u00e7\u00e3o pr\u00e1tica e partilha de processos. Estes workshops constituem espa\u00e7os de encontro entre artistas, investigadores, estudantes e p\u00fablico, onde diferentes modos de fazer, pensar e…<\/p>\n","protected":false},"author":18,"featured_media":1006966,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[43],"tags":[],"class_list":["post-1006949","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-eventos"],"acf":[],"yoast_head":"\nConfer\u00eancia Internacional Dramaturgias da Performance: Workshops<\/title>\n<meta name=\"description\" content=\"No \u00e2mbito da\u00a0Confer\u00eancia Internacional Dramaturgias da Performance, ser\u00e1 realizado um conjunto de workshops. 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